Sans Faceted Abras 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Potomac' by Context, 'Gainsborough' by Fenotype, 'Flintstock' by Hustle Supply Co, 'Octin College' by Typodermic, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).
Keywords: sports branding, posters, headlines, apparel, signage, athletic, industrial, assertive, retro, tough, high impact, sporty edge, geometric styling, signage clarity, octagonal, chamfered, blocky, compact, angular.
A heavy, block-built sans with aggressively chamfered corners and faceted construction that replaces curves with straight segments. Strokes stay uniform and dense, producing a tight, compact color on the page with sturdy verticals and squared terminals. Counters tend toward octagonal shapes, and the joins are crisp and mechanical, giving letters a stenciled-by-geometry feel without actual stencil breaks. The overall rhythm is regular and gridlike, with short apertures and conservative interior space that boosts impact at display sizes.
This font suits high-impact display work such as sports identities, jerseys, posters, packaging callouts, and bold UI labels where immediate recognition matters. It performs especially well in short headlines, badges, and large numerals, and can add a rugged, industrial edge to logos and event graphics.
The tone is bold and no-nonsense, evoking athletic numbering, equipment labeling, and hard-edged signage. Its angular facets add a retro scoreboard flavor while still reading as contemporary and utilitarian. The overall impression is rugged, emphatic, and built for attention.
The design appears intended to deliver maximum impact through simplified, faceted geometry—combining the familiarity of a grotesque-like skeleton with octagonal cuts that suggest athletic and industrial references. The goal seems to be confident legibility at display sizes with a distinctive, hard-edged voice.
Because the forms are compact with smallish counters in several letters, it tends to look best when given a bit of tracking and adequate size. The strong geometry produces clear silhouettes and consistent texture, especially in all-caps settings.