Solid Fivi 7 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Passiflora' by Compañía Tipográfica de Chile, 'Chop Crap' by Flawlessandco, 'Knicknack' by Great Scott, 'Hook Eyes' by HIRO.std, 'Burford Rustic' by Kimmy Design, 'Cheapsman' by Typetemp Studio, 'Matryoshka' by Volcano Type, and 'HARBER' by bb-bureau (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, merch, playful, chunky, cartoonish, retro, quirky, display impact, cutout look, playful branding, graphic texture, blobby, chiseled, soft-cornered, stencil-like, organic.
A heavy, compact display face built from chunky, irregular silhouettes with softened corners and occasional angular notches. Counters are largely collapsed, leaving most letters as solid masses with only small carved openings or bite-like cuts to suggest internal structure. Stroke endings feel hand-shaped rather than geometric, with a slightly uneven rhythm from glyph to glyph that creates a lively, cutout look. The lowercase maintains a straightforward, single-storey construction where applicable, and numerals follow the same blocky, sculpted logic for a consistent set.
Best suited for short, high-impact settings such as posters, headlines, brand marks, packaging callouts, and merchandise graphics. It works well when large sizes and generous spacing allow the distinctive silhouettes to read cleanly and the irregular cutout details to become part of the visual voice.
The overall tone is playful and attention-grabbing, with a cartoon cutout energy that reads as friendly, mischievous, and a little rough-hewn. Its solid interiors and chunky forms give it a poster-like presence, while the irregular edges add an informal, handmade character.
The design appears intended to deliver maximum visual weight with a deliberately irregular, cut-paper or carved-block aesthetic, prioritizing character and presence over conventional readability. Its collapsed counters and sculpted notches suggest a novelty display role aimed at bold, playful branding and graphic typography.
Because many apertures and counters are minimal or closed, letter differentiation relies on exterior silhouettes and small internal cuts; this strengthens the graphic impact but can reduce clarity in dense settings. The texture also becomes more pronounced as lines of text stack, producing a bold, almost stamped surface.