Sans Superellipse Efriv 2 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka (names referenced only for comparison).
Keywords: branding, headlines, sports identity, tech ui, posters, futuristic, technical, sleek, sporty, modern, convey speed, tech aesthetic, geometric cohesion, display impact, industrial feel, rounded corners, squared bowls, condensed caps, open apertures, angled terminals.
This is a slanted sans with a streamlined, engineered construction. Many curves resolve into rounded-rectangle shapes, giving bowls and counters a superelliptical feel (notably in O, Q, 0, 8, and 9), while stems and diagonals stay crisp and uniform. Terminals are frequently angled or gently rounded rather than blunt, and the overall rhythm is narrow and forward-leaning with consistent spacing and a clean, monoline presence. Uppercase forms are compact and geometric, while lowercase mixes straightforward italic structures with single-storey a and g and a compact, tucked-in r.
It suits display-forward applications where a sleek, modern voice is needed—technology branding, automotive or sports-related identities, product marks, packaging, and short headline copy. It can also work in interface or dashboard-style graphics where geometric clarity and a forward-leaning tone help convey speed and precision.
The overall tone reads fast, contemporary, and technology-adjacent—more performance-oriented than conversational. Its rounded-rect geometry evokes industrial design and user-interface aesthetics, suggesting precision and motion rather than warmth or tradition.
The design appears intended to merge an italic, high-momentum stance with superelliptical geometry, creating a contemporary sans that feels engineered and cohesive across letters and numerals. Its consistent rounded-rectangle curves and angled terminals prioritize a modern, performance-driven aesthetic in prominent text sizes.
Distinctive squared curvature shows up across both letters and numerals, producing a cohesive ‘capsule’ silhouette in round characters. The Q has a clear, graphic tail, and several glyphs (like J, U, and 2) emphasize a soft-cornered, engineered finish that keeps the set visually unified in running text.