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Free for Commercial Use

Sans Normal Moket 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'FS Jack' by Fontsmith, 'Danos' by Katatrad, 'Allotrope' by Kostic, and 'Boulder' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, playful, retro, friendly, chunky, punchy, display impact, friendly tone, retro flavor, brand presence, rounded, soft corners, compact, heavy, cartoonish.


Free for commercial use
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This typeface is built from thick, rounded forms with minimal stroke modulation and a distinctly inflated silhouette. Curves are generous and circular, while terminals tend to be blunt or softly squared, producing a strong, compact texture. Counters are relatively small and often oval, and many joins are smooth and bulb-like, giving letters a cohesive, “molded” feel. Overall spacing reads tight and dense, creating solid word shapes with high visual mass.

Best suited for display settings such as headlines, posters, labels, and packaging where impact and personality matter. It can work well for logos and short wordmarks that benefit from a bold, rounded presence. For longer text, the dense color and tight internal spaces suggest using larger sizes and comfortable tracking to maintain clarity.

The font conveys a cheerful, approachable tone with a clear retro display flavor. Its chunky shapes feel energetic and informal, suggesting fun, food, kids, or pop-culture contexts rather than corporate restraint. The dense black presence makes it attention-grabbing and confident, with a friendly softness that keeps it from feeling harsh.

The design appears intended to deliver maximum visual weight with a friendly, rounded geometry—prioritizing bold presence and playful character over fine-detail readability. Its consistent, low-contrast construction and compact counters point to a display-first purpose aimed at energetic branding and attention-focused typography.

The uppercase set appears particularly blocky and monumental, while the lowercase introduces more rounded, single-storey-style simplicity that reinforces an informal voice. Numerals match the heavy, rounded construction and read best when given ample size and breathing room, as the counters and apertures stay tight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸