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Free for Commercial Use

Slab Square Irvi 1 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Malaga' by Emigre, 'Belarin' by Hazztype, 'Destra' by Isaco Type, 'TheSerif' by LucasFonts, 'Extra Old' by Mans Greback, 'Akwe Pro' by ROHH, and 'Galena Pro Condensed' by Typorium (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports, assertive, retro, editorial, sporty, industrial, high impact, headline emphasis, retro nod, rugged clarity, slab serif, heavy weight, bracketed slabs, wedge joins, compact forms.


Free for commercial use
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A heavy, forward-leaning slab serif with dense color and sturdy, squared-off serifs. Strokes show modest modulation, with thick verticals and slightly tapered joins that keep counters open despite the weight. The italic construction feels more like an oblique with purposeful shaping: diagonals and terminals maintain crisp edges, and the slab feet create a strong baseline rhythm. Uppercase forms are broad and blocky, while lowercase combines sturdy bowls with energetic, slightly compressed joins, producing a punchy, compact texture in text.

Best suited to headlines, subheads, and short promotional copy where strong slabs and an italic stance can drive emphasis. It works well for posters, brand marks, packaging callouts, and sports or event graphics that need compact impact and high contrast against a page or layout.

The overall tone is bold and confident, with a distinctly retro and utilitarian flavor. It suggests mid-century display typography—strong, attention-seeking, and a bit sporty—while staying disciplined enough for structured editorial headlines.

Designed to deliver maximum punch and legibility in display settings by combining heavy slabs with a controlled italic angle. The intent appears to balance a rugged, industrial backbone with a lively, attention-forward rhythm for modern headline use.

Numerals are large and weighty with clear silhouettes, and the italic slant adds momentum without becoming calligraphic. Spacing and proportions create a tight, emphatic word shape, making the face read best when allowed some breathing room at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸