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Free for Commercial Use

Blackletter Agba 14 is a regular weight, normal width, high contrast, upright, short x-height font.

Keywords: headlines, posters, brand marks, packaging, album art, medieval, heraldic, gothic, ceremonial, dramatic, historic flavor, display impact, calligraphic feel, ornamental capitals, heraldic styling, angular, ornate, blackletter, fractured, pointed.


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This typeface presents a sharply chiseled blackletter build with high-contrast strokes and pronounced broken curves. Letterforms are constructed from narrow, vertical stems with pointed terminals, wedge-like serifs, and frequent internal cut-ins that create a faceted, engraved look. Capitals are tall and decorative, with asymmetrical flourishes and complex interior counters, while lowercase forms maintain a compact rhythm and a short x-height that emphasizes ascenders and overall verticality. Spacing and sidebearings vary noticeably by glyph, reinforcing a hand-drawn, calligraphic cadence rather than a strictly uniform texture.

Best suited to display settings such as headlines, posters, wordmarks, and packaging where the intricate blackletter texture can be appreciated. It works especially well for projects aiming for historical, ceremonial, or gothic styling, and is less appropriate for small-size body text where fine internal details may reduce clarity.

The overall tone is historic and ceremonial, evoking manuscript lettering, heraldry, and traditional signage. Its dense, angular silhouette and dramatic contrast read as authoritative and formal, with a hint of ominous, gothic atmosphere when set in larger sizes.

The design appears intended to reinterpret traditional blackletter forms with a bold, cut-stone sharpness and decorative capitals, prioritizing historic character and visual drama over neutral readability. The varied widths and calligraphic breaks suggest an aim for an authentic, hand-rendered manuscript or engraved-sign aesthetic.

Diagonal strokes and joins tend to break into segmented facets rather than smooth curves, and many glyphs rely on tight, dark counters that can close up as size decreases. Numerals follow the same carved, pointed logic, giving figures a display-forward presence that matches the capitals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸