Print Rene 3 is a very bold, normal width, medium contrast, italic, short x-height font.
Keywords: posters, headlines, logos, packaging, social media, playful, energetic, retro, casual, bold, hand-painted feel, display impact, casual charm, retro flavor, expressive motion, brushy, rounded, swashy, expressive, bouncy.
A heavy, brush-script style with rounded terminals and visibly tapered stroke starts and finishes that mimic a loaded marker or paintbrush. Letterforms are slanted with a lively baseline and frequent entry/exit flicks, giving the shapes a continuous motion even though the characters are mostly unconnected. Counters are compact and the interior spaces often pinch where strokes overlap, creating punchy, high-ink silhouettes. Capitals are prominent and slightly swashy, while lowercase forms stay compact with simplified joins and occasional looped shapes (notably in letters like g and y). Numerals follow the same brush rhythm, with angled stress and soft, blobby terminals that keep the set cohesive.
Well-suited for short display settings such as posters, event titles, product packaging, stickers, and social graphics where bold, handwritten personality is desired. It can work for logos and wordmarks that want a brushed, energetic tone, and for emphasis lines in advertising or editorial layouts when used sparingly at larger sizes.
The font reads as upbeat and informal, with a confident, hand-painted attitude. Its thick, gestural strokes and quick turns evoke signage, showcards, and casual display lettering, leaning toward a nostalgic, mid-century flair. Overall it feels friendly and attention-grabbing rather than precise or understated.
The design appears intended to capture the immediacy of hand-painted brush lettering in a consistent digital set, prioritizing impact, motion, and personality over fine detail or long-form readability. The slant, rounded terminals, and swashy capitals aim to create a fast, expressive voice that stands out instantly.
The density of the strokes and tight counters make spacing feel visually packed in longer text, especially around rounded letters and deep joins. It performs best when given breathing room (larger sizes and generous tracking) so the brush texture and swashes remain clear.