Solid Lesy 3 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, stickers, playful, chunky, retro, toy-like, posterish, impact, novelty, playfulness, branding, signage, rounded, blobby, soft corners, ink-trap hints, compact spacing.
A heavy, compact display face built from thick, rounded block forms with softened corners and minimal internal detailing. Counters are largely collapsed, with only small notches and bite-like cut-ins hinting at traditional letter structure, creating a mostly solid silhouette across the alphabet. Stroke endings are blunt and slightly irregular, and curves are broad and bulbous, giving the set a molded, stamped look. Spacing appears tight, and the dense black shapes produce strong texture and a continuous rhythm in text.
This font is best suited to large-scale display applications such as posters, headlines, branding marks, packaging, and playful merchandise graphics where its solid silhouettes can carry the design. It can also work for short bursts of text—captions, callouts, or event titles—when set large with ample leading and tracking to keep the dense shapes from merging visually.
The overall tone is bold and humorous, leaning into a friendly, cartoonish presence rather than precision. Its chunky silhouettes and nearly filled interiors evoke a retro novelty feel—like cut paper, foam letters, or playful signage—making it attention-grabbing and approachable.
The design appears intended to maximize visual weight and create a distinctive, nearly stencil-less block silhouette, using small notches and contour cues to suggest letterforms without relying on open counters. The goal is a memorable novelty display look that prioritizes impact and personality over conventional text readability.
Because many interior openings are reduced to tiny notches, differentiation between similar shapes relies on distinctive cut-ins and outer contour cues, which increases the graphic impact but can reduce clarity at smaller sizes. The font reads best when given room to breathe and when contrast is created through color, size, or generous line spacing.