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Free for Commercial Use

Script Upry 7 is a very light, normal width, low contrast, italic, very short x-height font.

Keywords: invitations, wedding, greeting cards, branding, headlines, elegant, delicate, refined, romantic, airy, formality, ornamentation, signature feel, invitation style, fine-pen look, monoline, looping, swashy, calligraphic, graceful.


Free for commercial use
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A delicate, monoline script with a consistent hairline stroke and a gentle rightward slant. Letterforms are built from long, elliptical curves and open counters, with frequent entry/exit strokes that encourage smooth joining in lowercase text. Ascenders and descenders are notably extended, creating tall proportions and generous vertical rhythm, while capitals feature broad, looping swashes and thin cross-strokes. Spacing is relatively open for a script, and the overall texture stays light and uncluttered even in longer words.

This style works best for display settings such as invitations, wedding materials, greeting cards, and boutique branding where elegance is the priority. It’s well suited to short headlines, names, monograms, and pull quotes, and performs nicely at larger sizes where the hairline strokes and loops can be appreciated. For longer passages, generous tracking and increased leading help maintain clarity.

The font conveys a quiet, polished sophistication—more like a fine pen sketch than bold calligraphy. Its flowing loops and restrained flourish read as formal and romantic, with a vintage stationery feel. The overall tone is gentle and airy, suited to tasteful, ceremonial messaging rather than casual handwriting.

The design appears intended to emulate fine pointed-pen script with minimal stroke modulation, prioritizing graceful connections, tall proportions, and ornamental capitals. Its restrained line weight and sweeping curves suggest a focus on formal presentation and decorative word shapes rather than dense text efficiency.

Capitals are highly decorative and can become the dominant visual element, especially at larger sizes, while lowercase maintains a more even, readable cadence. Numerals follow the same light, cursive construction, with soft curves and minimal emphasis on terminals. The long extenders and sweeping caps benefit from ample line spacing and room around the text to avoid collisions.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸