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Free for Commercial Use

Slab Square Imjo 3 is a bold, very wide, low contrast, upright, tall x-height font visually similar to 'Aderos' by Eko Bimantara (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, rugged, confident, retro, technical, impact, sturdiness, industrial voice, display readability, retro utility, squarish, blocky, compact, stencil-like, angular.


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A heavy, expanded slab serif with squared-off terminals and broad, blunt serifs that read as integrated blocks rather than delicate brackets. Strokes stay largely uniform, with rounded-rectangle curves in bowls and counters that soften the otherwise geometric, machined structure. The lowercase shows a tall x-height and compact ascenders/descenders, creating a dense, horizontal rhythm; joins and joints are crisp, and many letters feature flat cut-ins and notched details that give a subtly engineered, semi-stencil feel. Numerals follow the same wide, low-detail construction with strong horizontal emphasis and clear, open counters.

Best suited to display settings such as posters, headlines, title treatments, and branding where a sturdy, high-impact voice is needed. It can work in short paragraphs or pull quotes when ample horizontal space is available, and it is especially effective for signage and packaging that benefits from an industrial, engineered look.

The overall tone feels industrial and no-nonsense—assertive, utilitarian, and slightly retro, like lettering found on equipment, packaging, or bold editorial display from mid-to-late 20th century sources. Its wide stance and blocky serifs project stability and confidence, with a hint of technical ruggedness rather than refinement.

The design appears intended to deliver maximum impact and solidity through wide proportions, blocky slab serifs, and simplified, low-contrast construction. Its details suggest a goal of combining utilitarian clarity with a distinctive, slightly mechanical personality for contemporary display typography.

In longer text, the very wide set and strong horizontals create a powerful texture that prioritizes presence over economy of space. The squarish curves and squared terminals keep the color consistent, while the occasional notch-like inflections add character without becoming decorative.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸