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Free for Commercial Use

Blackletter Gano 1 is a regular weight, narrow, high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, book covers, medieval, gothic, dramatic, ceremonial, dark, historical evoke, display impact, ornamental texture, brand drama, angular, calligraphic, wedge serifs, broken strokes, ornate.


Free for commercial use
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This typeface uses a blackletter-inspired structure with broken, angular strokes and sharp wedge-like terminals. The letterforms show pronounced thick–thin modulation and a compressed, vertical rhythm, with narrow counters and pointed joins. Strokes often resolve into tapered beaks and small spurs, while bowls and arches are faceted rather than smoothly rounded. Uppercase forms are especially sculptural and condensed; lowercase maintains a steady x-height with compact, tightly drawn shapes and crisp, calligraphic detailing. Numerals follow the same cut, tapered logic, with slender diagonals and pinched curves that match the overall texture.

Best suited for display settings such as headlines, posters, titles, and logo or wordmark work where its gothic texture can dominate the layout. It can also serve well on packaging or book/album covers seeking a historic or dramatic mood, especially at medium to large sizes where the sharp terminals and internal facets remain clear.

The overall tone is historic and ceremonial, evoking manuscript lettering, heraldry, and gothic signage. Its sharpness and contrast give it a dramatic, slightly ominous presence that feels formal rather than casual, with a handcrafted edge that reads as traditional and authoritative.

The design appears intended to reinterpret traditional blackletter calligraphy into a consistent, digital display face with strong verticality, sharp wedges, and emphatic contrast. It prioritizes atmosphere and period character, aiming to produce a bold, ornamental texture that signals heritage and drama at a glance.

In text, the dense vertical patterning creates a strong, dark typographic color, while distinctive entry/exit strokes and wedges help separate characters. Some glyphs lean on stylized forms (notably in capitals and a few lowercase letters), which emphasizes display personality over neutral, utilitarian reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸