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Sans Contrasted Jaki 6 is a bold, very wide, very high contrast, upright, normal x-height font visually similar to 'Mansel' by Prominent and Affluent (names referenced only for comparison).

Keywords: headlines, posters, branding, magazine, packaging, editorial, fashion, luxury, dramatic, modernist, display impact, brand signature, editorial voice, experimental contrast, poster presence, flared strokes, ink traps, sheared joins, sharp terminals, blocky counters.


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A striking display face built from heavy vertical masses punctuated by extremely thin hairline connections and cut-ins. The silhouettes are geometric and wide, with many letters showing flared, wedge-like terminals and dramatic internal notches that create a stenciled, split-stroke impression. Curves are tightly controlled and often appear ‘scooped’ or segmented, while joins frequently taper into razor-thin diagonals. Spacing feels compact in text: large black shapes dominate, and counters are sometimes partially occluded, producing a bold, graphic rhythm rather than continuous stroke flow.

Best suited to large-scale typography such as headlines, covers, posters, and brand marks where the high-contrast cut-ins and hairlines can remain visible. It can work effectively for fashion/editorial layouts and premium packaging, especially when given generous size and careful reproduction.

The overall tone is theatrical and high-fashion: confident, assertive, and deliberately stylized. The extreme light–dark interplay reads as premium and editorial, with a slightly experimental, poster-driven edge that prioritizes impact over neutrality.

The design appears intended as an impact-first display font that reinterprets contrasted letterforms through a modern, cut-and-carved construction. Its primary goal is to deliver distinctive texture and memorable word shapes for branding and editorial statements rather than extended reading.

In the sample text, the hairline bridges and deep cut-ins create distinctive word shapes, but they also introduce fragile details that may visually disappear at small sizes or under low-resolution reproduction. Numerals and capitals carry the same segmented, flared logic, reinforcing a cohesive, logo-like personality across headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸