Shadow Mavi 2 is a very bold, wide, very high contrast, reverse italic, tall x-height font visually similar to 'Hubba' by Green Type (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, event flyers, retro, comic, punchy, playful, loud, attention grabbing, built-in depth, retro display, graphic signage, chunky, rounded, blocky, notched, slanted.
A heavy, block-built display face with rounded corners and a consistent left-leaning slant. The letterforms are constructed from thick, monoline shapes that are interrupted by small interior cut-ins and beveled notches, giving the counters and joins a carved, stencil-like feel. An offset shadow layer sits behind the main forms, producing a dimensional, poster-style silhouette and emphasizing the stepped edges and squared terminals. Spacing is compact and the overall rhythm is dense, with sturdy bowls and short apertures that favor impact over fine-detail clarity.
Best suited to large-scale display settings such as posters, event flyers, and bold headlines where the shadow and cut-in details can read clearly. It can also work for logos, packaging, and merchandise graphics that want a dimensional, retro sign-painting vibe, especially when paired with simple supporting text.
The combination of chunky geometry, playful notches, and a bold shadow treatment creates a lively, retro-leaning tone. It reads as energetic and attention-grabbing, with a slightly quirky, cartoon-signage character that feels made for headlines and punchlines rather than quiet text.
The design appears intended as an impact-first display font that bakes in depth via a built-in shadow while adding personality through carved notches and softened corners. Its proportions and dense texture suggest it’s meant to stand out quickly in short phrases and title treatments.
The shadow offset is strong enough to function as an integral part of the design, making the type feel like cut paper, stamped vinyl, or a thick sign letter with a drop effect. The internal cut details add texture, but at smaller sizes they may visually merge into the heavy strokes, increasing the importance of generous sizing and contrasty backgrounds.