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Free for Commercial Use

Sans Other Bigot 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'FF Mark' by FontFont, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Beval' by The Northern Block, and 'Autoradiographic' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, children’s media, playful, friendly, chunky, retro, handmade feel, attention grabbing, warmth, retro flavor, rounded, soft corners, irregular, hand-cut, bouncy.


Free for commercial use
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A heavy, soft-cornered sans with subtly irregular outlines and a lively, hand-shaped feel. Strokes are generally even, but terminals often end in wedgey, slightly angled cuts that create a cut-paper rhythm rather than a purely geometric construction. Counters are compact and rounded, spacing is generous, and widths vary noticeably from glyph to glyph, producing a bouncy texture in words. The uppercase is sturdy and blocky, while the lowercase keeps simple, single-storey forms with bulbous joins and a small, squat footprint.

Best used for display typography such as posters, headlines, product packaging, and bold brand marks where a friendly, handmade voice is desirable. It also suits playful editorial callouts and kids-oriented or event-driven graphics. For body text, it will be most comfortable at larger sizes where the compact counters and heavy texture remain clear.

The overall tone is upbeat and informal, with a retro sign-painting or hand-cut poster energy. Its uneven edges and buoyant proportions read as approachable and humorous rather than technical or corporate. The font projects confidence and volume without feeling rigid, making it well-suited to lighthearted, attention-grabbing messages.

The design appears intended to deliver a distinctive, hand-crafted sans look that feels warm and approachable while still reading clearly at display sizes. Its controlled irregularity and wedge-cut terminals suggest a deliberate “hand-cut” aesthetic aimed at creating personality and motion in short phrases and titles.

In longer settings the letterforms create a strong, dark typographic color with animated silhouettes; the slight angularity at terminals helps avoid a purely “pillowy” look. Numerals follow the same chunky, rounded logic and hold up well at display sizes, where the irregularities become part of the character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸