Sans Superellipse Uhni 5 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Glint' by Pesic, 'Olney' by Philatype, 'RBNo3.1' by René Bieder, and 'Obvia Expanded' and 'Obvia Wide' by Typefolio (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, ui labels, tech, industrial, futuristic, clean, confident, impact, modernity, geometric consistency, interface feel, brandability, rounded, squared, geometric, compact, monoline.
A monoline sans with a squared, superelliptical construction: curves are rounded but resolve into flat-ish terminals and softly squared counters. Strokes are heavy and even, with broad apertures and generous internal space that keep forms readable despite the weight. The lowercase is simple and utilitarian, with a single-storey a and g, a compact, squared bowl in b/d/p/q, and a short, sturdy shoulder on r. Numerals follow the same rounded-rectangle logic, with boxy 0/8 forms and open, horizontal emphasis in 2/3/5.
Best suited to display sizes where the geometric superellipse forms and heavy strokes can carry impact—headlines, brand marks, packaging, and editorial titling. It can also work for short UI labels or navigation where a sturdy, modern look is desired, especially in higher-contrast color settings.
The overall tone feels modern and engineered, with a distinctly technical flavor that reads as contemporary, efficient, and slightly futuristic. Its rounded corners soften the geometry, keeping the voice friendly while still projecting solidity and control.
Likely designed to translate the rounded-rectangle, device-like geometry of contemporary interfaces into a bold, versatile sans. The aim appears to be a consistent, modular shape system that feels technological while remaining approachable through softened corners.
The design leans on consistent corner radii and squared counter shapes, creating a cohesive rhythm across caps, lowercase, and figures. Diagonals (V/W/X/Y) are sturdy and broad, reinforcing a strong, display-oriented presence.