Script Ebrun 1 is a bold, very wide, very high contrast, italic, short x-height font.
Keywords: headlines, logotypes, packaging, posters, invitations, formal, vintage, confident, dramatic, lively, display impact, decorative flair, classic script, brand voice, swash, calligraphic, bracketed serifs, ball terminals, looping forms.
A slanted, calligraphic script with broad, oval letterforms and pronounced thick–thin modulation. Strokes end in pointed, teardrop, and ball-like terminals, with frequent entry/exit swashes that give letters a forward-running rhythm. Counters are compact and often partially enclosed by heavy curves, while joins and crossovers create smooth, ribbon-like motion. Capitals are showy and sculpted, with prominent curved spurs and occasional long, sweeping strokes; numerals follow the same shaded, italicized logic with rounded bowls and tapered ends.
Best suited to short, prominent settings such as headlines, branding wordmarks, event posters, and packaging where its swashes and shaded strokes can be appreciated. It can work well for invitations and certificates when set at moderate-to-large sizes with comfortable tracking. For long passages or small UI text, the dense counters and dramatic contrast are likely to reduce readability.
The tone is theatrical and vintage-leaning, reading as confident and slightly glamorous rather than casual. Its strong shading and swashy movement suggest formality and performance—more “headline flourish” than everyday handwriting. Overall it feels energetic and expressive, with a classic sign-painter or engraved-script attitude.
The font appears designed to evoke a formal, decorative script with strong calligraphic shading—prioritizing flair, motion, and display presence. Its wide proportions and embellished terminals suggest an intention to create a distinctive, memorable voice for titles and branded phrases rather than neutral text.
Spacing appears generous with a consistent forward slant, and the overall texture is dark and high-impact, especially in mixed-case lines where capitals create pronounced peaks. The design emphasizes gesture and stroke contrast over small-size clarity, with tight internal spaces that can visually fill in at smaller sizes.