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Free for Commercial Use

Outline Roty 6 is a very light, narrow, low contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, packaging, signage, art deco, elegant, airy, fashion, retro, deco revival, decorative display, luxury branding, vintage signage, ornamental inline, monoline, linear, geometric, refined, display.


Free for commercial use
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This typeface is an outline design built from thin, single-contour strokes with a consistent inner counterline that creates a hollow, inline effect. Letterforms are tall and relatively condensed, with smooth curves, controlled apertures, and modestly geometric construction. Strokes stay even throughout, giving the shapes a clean, linear rhythm; terminals are crisp and uncluttered, with occasional gentle flaring suggested by the contour spacing rather than true stroke modulation. Numerals follow the same slender, elongated proportions and maintain a light, graphic presence.

Best suited for display settings such as headlines, posters, brand marks, packaging titles, and storefront or event signage where the outline construction can be appreciated. It works particularly well when paired with solid fills, flat color backgrounds, or layered treatments, and can add a refined accent when used sparingly in editorial or invitation-style layouts.

The overall tone feels sophisticated and decorative, with a classic Art Deco showroom polish. Its airy outlines and tall proportions read as stylish and upscale, leaning toward vintage glamour rather than utilitarian neutrality. The inline-like hollowing adds a subtle theatricality that suggests signage, nightlife, and fashion contexts.

The design intent appears to be a decorative outline display face that evokes early 20th-century modernity through tall, streamlined forms and a precise linear construction. The hollow/inline treatment provides built-in ornamentation without adding heavy weight, aiming for a luxurious, polished look in prominent, large-scale typography.

Because the characters are drawn as delicate outlines, the face depends on sufficient size and contrast to hold together; at smaller sizes the interior gaps and fine contours may visually soften. The spacing in the sample text appears open enough to keep word shapes legible, while the condensed proportions preserve a sleek, vertical cadence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸