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Solid Juza 6 is a very bold, normal width, medium contrast, reverse italic, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok and 'Cheapsman' by Typetemp Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, event flyers, album covers, playful, goopy, chaotic, handmade, cartoony, attention grabbing, handmade feel, humorous tone, silhouette impact, textural display, blobby, lumpy, soft-edged, collaged, chunky.


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A heavy, blobby display face with irregular, hand-cut silhouettes and softly broken contours. Letterforms are built from solid masses with counters largely collapsed, relying on outer shape and distinctive notches to carry recognition. Strokes feel uneven and organic, with wedge-like terminals, occasional pinched joints, and a restless baseline rhythm that varies from glyph to glyph. The texture reads as intentionally rough and tactile, producing a dense, inked-in color in text.

Best used for short, high-impact display settings such as posters, headline lockups, packaging, and event or entertainment graphics. It can also work for logos or title treatments where a rough, playful silhouette is desirable, but it is less suited to long passages or small-size UI text due to its dense interior and irregular forms.

The font projects a mischievous, playful tone with a slightly unruly edge—more cut-paper and goo than polished typography. Its exaggerated shapes and near-silhouette construction give it a bold, attention-grabbing personality suited to comedic, spooky-fun, or DIY aesthetics.

The design appears intended to deliver a bold silhouette-first voice—evoking cut-out shapes, thick paint, or goopy marker fills—prioritizing character and texture over conventional readability. It aims to look handmade and expressive, with deliberate inconsistency that adds energy and a quirky, novelty feel.

At larger sizes the quirky detailing and distinctive outer silhouettes become the main identifying features, while in continuous text the filled-in interiors increase visual density and can reduce legibility. Spacing and widths feel intentionally inconsistent, contributing to an animated, hand-made rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸