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Free for Commercial Use

Distressed Gohi 11 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Berthold Standard' by Berthold; 'Helen Bg' by HS Fonts; 'Arial', 'Arial Nova', and 'CG Triumvirate' by Monotype; and 'Nimbus Sans Chinese Simplified', 'Nimbus Sans Japanese', 'Nimbus Sans L', and 'Nimbus Sans Thai' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, packaging, branding, stickers, album art, grunge, handmade, rugged, casual, playful, weathered print, tactile texture, diy tone, display impact, roughened, textured, inked, stamped, uneven.


Free for commercial use
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A rough-edged, ink-worn letterform set with compact proportions and clear, upright construction. Strokes show deliberate irregularity—ragged contours, small nicks, and patchy fill that suggests imperfect inking or worn printing—while maintaining a largely consistent stem weight and crisp interior counters. Curves (C, O, G) read round and sturdy, and straight strokes (E, F, T, I) keep a simple, workmanlike geometry; overall spacing and widths vary slightly from glyph to glyph, reinforcing the handmade rhythm without collapsing legibility.

Best suited to display contexts where texture is desirable: posters, event flyers, apparel graphics, product packaging, and brand accents that want a stamped or screen-printed feel. It can also work for short pull quotes or headings, especially when paired with a cleaner text face for body copy.

The texture and uneven ink coverage lend an informal, gritty tone that feels tactile and human. It reads like utilitarian lettering with a playful roughness—suggesting DIY craft, screen-printed ephemera, or weathered signage rather than polished editorial typography.

The design appears intended to deliver straightforward, readable letterforms while foregrounding a distressed print texture. It prioritizes character and tactility—evoking worn ink and imperfect reproduction—over pristine uniformity, making the texture part of the typographic voice.

At larger sizes the distressed detailing becomes a key graphic feature; at smaller sizes the speckling and edge noise can visually thicken joins and soften fine interior shapes. Numerals and lowercase maintain the same worn texture, helping mixed-case settings feel cohesive in headlines and short phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸