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Free for Commercial Use

Serif Flared Udsa 7 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Niquitta Mirzani' by Arterfak Project, 'Burger Honren' by IRF Lab Studio, 'Frontage Condensed' by Juri Zaech, 'Gemsbuck Pro' by Studio Fat Cat, and 'Agharti' by That That Creative (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, book covers, vintage, theatrical, authoritative, noir, editorial, space saving, display impact, vintage tone, headline clarity, brand character, condensed, flared, wedge serif, high impact, sculpted.


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A condensed serif with stout, sculpted letterforms and flared terminals that read like wedge serifs rather than delicate brackets. Strokes stay relatively even, with subtle swelling into the ends, producing a carved, poster-like silhouette. Counters are compact and apertures tend to be tight, giving the face a dense, vertical rhythm. The lowercase maintains a steady, workmanlike structure while select shapes (notably in bowls and joins) show pronounced tapering and flare that adds character without introducing cursive motion.

This font is best suited to display roles such as headlines, posters, branding marks, packaging titles, and book or album covers where condensed width and strong presence help conserve space while staying loud. It can also work for short pull quotes or section headers, especially in editorial layouts seeking a vintage or theatrical edge.

The overall tone feels vintage and theatrical, with a confident, slightly dramatic presence suited to statements and headlines. Its compressed proportions and dark massing suggest classic showbill and editorial display traditions, lending an air of authority and period flavor.

The design appears intended to deliver maximum impact in a tight horizontal footprint, combining sturdy, even stroke weight with flared, wedge-like endings to create a distinctive, classic display voice. It prioritizes silhouette and rhythm for titling, aiming for a recognizable, poster-ready texture across uppercase, lowercase, and figures.

In text settings the spacing appears designed for impactful display rather than airy reading, with strong vertical emphasis and sturdy joins that hold up at large sizes. The numerals match the same compact, weighty construction, supporting cohesive titling and numbering in layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸