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Free for Commercial Use

Blackletter Ryro 2 is a regular weight, normal width, high contrast, upright, short x-height font.

Keywords: headlines, posters, packaging, logotypes, album covers, medieval, gothic, dramatic, ceremonial, historic, historic evocation, display impact, calligraphic texture, ornamental caps, angular, calligraphic, spurred, broken stroke, compact.


Free for commercial use
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This typeface presents a calligraphic blackletter structure with broken, angular strokes and pronounced thick–thin modulation. Terminals are sharply tapered and frequently spurred, giving contours a crisp, chiseled feel even in rounded letters. Uppercase forms are compact and sculpted, with distinctive hooked entries and occasional asymmetrical swashes, while the lowercase maintains tight rhythm and a short x-height with strong vertical emphasis. Counters are small and ink-trap-like in places, and curves resolve into faceted joins rather than smooth bowls. Numerals follow the same pen-driven logic, with pointed corners and brisk, slanted finishing strokes.

Best suited to display applications such as headlines, posters, logotypes, and branding moments that benefit from a medieval or gothic voice. It also works well for packaging, labels, and editorial openers where a dense, high-impact texture is desirable, rather than for long passages at small sizes.

The overall tone is historic and ceremonial, evoking manuscript lettering, guild marks, and traditional European print aesthetics. Its sharp rhythm and dramatic contrast read as authoritative and theatrical, with a slightly hand-rendered edge that feels crafted rather than mechanical.

The design appears intended to translate broad-pen blackletter calligraphy into a consistent, print-ready style, prioritizing dramatic contrast, sharp terminals, and compact medieval proportions. It emphasizes historical atmosphere and strong word-shapes for impactful display typography.

In text settings the spacing and dense interior shapes create a dark color on the page, with uppercase letters carrying more ornament and visual weight than the lowercase. The design relies on distinctive silhouettes and spurs to maintain clarity, which becomes most effective at display sizes where the internal breaks and fine tapers remain visible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸