Cursive Opbun 2 is a very light, very narrow, medium contrast, italic, very short x-height font.
Keywords: branding, packaging, quotes, invitations, social media, airy, delicate, whimsical, personal, elegant, signature feel, light elegance, handwritten clarity, monoline, looping, tall ascenders, long descenders, open counters.
A slender, monoline cursive with a pronounced rightward slant and a tall, vertical rhythm. Strokes are fine and even, with smooth, continuous curves and frequent looped entries/exits that suggest pen-drawn motion. Letterforms tend to be narrow and upright in proportion, with generous ascenders and descenders that create an elongated silhouette and lots of white space within and around counters. Uppercase forms are simplified and linear, often built from single sweeping strokes, while numerals remain equally light and open with minimal ornament.
Works well for short to medium-length display settings where a handwritten signature feel is desired—brand marks, boutique packaging, invitations, greeting cards, pull quotes, and social graphics. It can also suit light editorial callouts or captions when set with ample size and leading to preserve its fine stroke detail.
The overall tone is light and intimate, like quick, neat handwriting captured in ink. Its looping gestures and high, airy proportions lend a gentle elegance, while the informal connections keep it approachable and personal. The result feels calm, refined, and slightly playful rather than formal or rigid.
The design appears intended to capture a clean, modern cursive handwriting style with minimal stroke weight and an emphasis on elegant vertical proportions. Its construction prioritizes fluid motion and a consistent pen-like line, aiming for a refined personal voice suitable for contemporary lifestyle and stationery applications.
In running text, the connections are subtle and flowing, with occasional lift-like joins that preserve readability while maintaining a handwritten cadence. Spacing appears generous for such a narrow build, helping the thin strokes avoid clumping in longer words. The tall extenders become a defining texture line-to-line, giving headlines a graceful, rising-and-falling rhythm.