Sans Normal Buloy 4 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Alfabetica' by Eurotypo, 'Ocean Sans' by Monotype, 'Akwe Pro' by ROHH, and 'Foundry Form Sans' by The Foundry (names referenced only for comparison).
Keywords: ui text, product labels, presentations, signage, editorial body, neutral, modern, clean, straightforward, functional, neutral utility, text clarity, modern minimalism, geometric simplicity, geometric, monoline, open apertures, low frills, balanced.
This sans serif shows a crisp, monoline construction with broadly geometric bowls and clean joins. Curves read as near-circular on forms like C, O, and Q, while straight strokes are firm and evenly weighted. Terminals are mostly flat and unembellished, counters are open, and spacing appears measured for steady rhythm in continuous text. Uppercase proportions feel stable and moderately wide, and the lowercase maintains clear, utilitarian shapes with simple descenders and compact, readable forms.
It suits interface copy, product and informational labeling, and general editorial text where a neutral sans is needed. The restrained forms and open counters make it a practical option for signage and presentations, and it can also serve as a dependable brand workhorse when a modern but unobtrusive voice is desired.
The overall tone is neutral and contemporary, emphasizing clarity over personality. It conveys a matter-of-fact, workmanlike feel that stays quiet in the background, with a mild geometric crispness that can read as modern and technical without becoming stylized.
The design intent appears to be a general-purpose, modern sans with geometric influence, optimized for clarity and consistent texture in text. It prioritizes straightforward letterforms, clean curves, and predictable spacing to perform reliably across common communication tasks.
Figures are straightforward and legible, with simple curves and consistent stroke endings that suit everyday reading. The sample text shows even color across lines and predictable word shapes, suggesting a design aimed at general-purpose composition rather than display theatrics.