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Free for Commercial Use

Sans Normal Utnat 9 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'EF Diamanti Condensed' by Elsner+Flake; 'FS Albert Paneuropean' by Fontsmith; 'Interval Next' by Mostardesign; and 'Core Sans M', 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, modern, confident, energetic, impact, motion, display, modern branding, athletic tone, oblique, geometric, clean, compact, rounded.


Free for commercial use
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A slanted sans with sturdy, even strokes and smooth, rounded curves. The forms lean consistently to the right with a compact, forward-pressing rhythm, and terminals are clean and unadorned. Counters are relatively open for the weight, while joins stay tight and controlled, giving letters a cohesive, engineered feel. Uppercase shapes read crisp and structural, and the lowercase keeps a simple, contemporary construction with a single-storey “a” and a clean, looped “g” that maintains the same oblique momentum.

This font performs best in short to medium-length settings where its strong slant and dense weight can project impact—headlines, campaigns, packaging callouts, and brand marks. It’s also a natural fit for sports and performance-themed design systems, where the forward motion supports energetic, directional messaging.

The overall tone is assertive and in-motion, with a sporty, contemporary attitude. The pronounced slant and solid color create a sense of speed and confidence, suited to messaging that wants to feel active and direct rather than formal or delicate.

The design appears intended to deliver a modern, athletic sans voice with clear, punchy silhouettes and a consistent oblique stance. Its emphasis is on immediacy and visual drive, prioritizing strong shapes and cohesive rhythm for display-oriented typography.

Figures share the same forward lean and solid presence as the letters, making mixed alphanumeric settings look unified. The italic angle is strong enough to be a defining characteristic, so it will visually dominate in layouts where an upright counterpart might otherwise recede.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸