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Free for Commercial Use

Sans Normal Utnat 9 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'EF Diamanti Condensed' by Elsner+Flake; 'FS Albert Paneuropean' by Fontsmith; 'Interval Next' by Mostardesign; and 'Core Sans M', 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, modern, confident, energetic, impact, motion, display, modern branding, athletic tone, oblique, geometric, clean, compact, rounded.


Free for commercial use
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A slanted sans with sturdy, even strokes and smooth, rounded curves. The forms lean consistently to the right with a compact, forward-pressing rhythm, and terminals are clean and unadorned. Counters are relatively open for the weight, while joins stay tight and controlled, giving letters a cohesive, engineered feel. Uppercase shapes read crisp and structural, and the lowercase keeps a simple, contemporary construction with a single-storey “a” and a clean, looped “g” that maintains the same oblique momentum.

This font performs best in short to medium-length settings where its strong slant and dense weight can project impact—headlines, campaigns, packaging callouts, and brand marks. It’s also a natural fit for sports and performance-themed design systems, where the forward motion supports energetic, directional messaging.

The overall tone is assertive and in-motion, with a sporty, contemporary attitude. The pronounced slant and solid color create a sense of speed and confidence, suited to messaging that wants to feel active and direct rather than formal or delicate.

The design appears intended to deliver a modern, athletic sans voice with clear, punchy silhouettes and a consistent oblique stance. Its emphasis is on immediacy and visual drive, prioritizing strong shapes and cohesive rhythm for display-oriented typography.

Figures share the same forward lean and solid presence as the letters, making mixed alphanumeric settings look unified. The italic angle is strong enough to be a defining characteristic, so it will visually dominate in layouts where an upright counterpart might otherwise recede.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸