Solid Lemy 2 is a very bold, narrow, medium contrast, reverse italic, tall x-height font visually similar to 'Space Time' by Lauren Ashpole (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, logo marks, playful, chunky, retro, cartoonish, rowdy, attention grab, comic display, retro flavor, cutout look, blobby, soft corners, irregular, lumpy, compact.
A heavy, solid display face built from chunky, blobby silhouettes with softened corners and frequent angular nicks that give the outlines an intentionally irregular, cutout feel. Counters are largely collapsed, so letters read as filled shapes with only small notches and bite-like cuts defining structure. The forms lean with a backward slant and show uneven sidebearings and widths, creating a bouncy rhythm across words. Terminals are rounded and swollen, and the overall texture is dense with high ink coverage and minimal internal detail.
Best suited for short, high-impact settings such as posters, headlines, packaging, and playful branding where a bold silhouette does the work. It can also function well in logo marks, badges, and sticker-style graphics, especially when paired with ample tracking and simple layouts. Avoid long passages or small UI text where the collapsed counters may hinder legibility.
The tone is loud and playful, with a mischievous, cartoon cutout energy. Its backward-leaning stance and lumpy contours suggest movement and informality, leaning toward retro novelty rather than refinement. It reads as intentionally imperfect and attention-grabbing.
The design appears intended to maximize visual presence through solid, counterless forms and an intentionally uneven outline language. Its backward slant and swollen geometry suggest a comic, cut-paper aesthetic aimed at energetic display typography rather than conventional readability.
Because interior openings are mostly closed, letter differentiation relies on exterior silhouettes; at smaller sizes this can reduce clarity, especially in dense text. In the sample, the darkest areas can merge, so spacing and generous point sizes help preserve word shape. Numerals and lowercase share the same swollen, irregular construction, keeping a consistent, poster-like texture.