Sans Superellipse Armin 11 is a light, wide, low contrast, italic, normal x-height font.
Keywords: ui labels, headlines, technology, automotive, posters, futuristic, technical, sleek, sporty, precision, modernization, speed cue, geometric system, ui clarity, brand distinctiveness, monoline, rounded corners, oblique, streamlined, extended.
A streamlined oblique sans with monoline strokes and a distinctly squared-yet-rounded construction. Curves resolve into soft superelliptic corners, giving bowls and counters a rounded-rectangle feel (notably in O, Q, 0, 8) while terminals are clean and often angled. The rhythm is open and extended, with generous horizontal proportions and smooth, consistent stroke behavior; diagonals are crisp and lightly tensioned, and joins stay controlled without abrupt flaring. Lowercase forms follow the same geometric logic, with single-storey a and g, compact shoulders, and an overall engineered, uniform texture in text.
Well-suited for interface labels, dashboards, and product branding where a clean, technical voice is needed. The extended proportions and oblique stance make it effective for headlines, posters, and motion/automotive-themed graphics, while the consistent monoline construction keeps short passages and UI strings looking orderly at moderate sizes.
The tone reads modern and forward-leaning, with a utilitarian, tech-oriented confidence. Its rounded-square geometry and consistent slant suggest speed and precision, balancing friendliness from the softened corners with a distinctly digital, contemporary attitude.
The design appears intended to translate a geometric, rounded-rectangular drawing system into an oblique sans for contemporary display and tech communication. It prioritizes a cohesive superellipse-based silhouette, clarity in distinctive letterforms, and a sense of speed through forward slant and extended width.
Several glyphs emphasize identifiable, stylized details—such as the Q’s angled tail, squared bowls in D/O/0, and streamlined numerals—reinforcing a cohesive superelliptic system. The oblique angle is steady across cases and figures, and spacing appears designed to keep lines feeling airy rather than dense.