Sans Normal Kymov 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Contempo Gothic' by Arkitype; 'BR Candor', 'BR Firma', and 'BR Segma' by Brink; 'Akwa' by HeadFirst; and 'Mozaic' by TipoType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, playful, friendly, punchy, sporty, retro, impact, approachability, energy, display, rounded, soft, chunky, bubbly, lively.
A heavy, slanted sans with rounded geometry and soft, blunted terminals. The shapes are built from broad strokes and large counters, with a consistently smooth curve language and minimal internal detail. Uppercase forms are compact and sturdy, while the lowercase shows single-storey constructions (notably a and g) and a clear, upright stem rhythm despite the overall italic angle. Curves dominate joins and corners, giving letters like S, C, and G a cushioned feel, and the numerals follow the same rounded, high-mass construction for strong, even color.
Best suited to display roles where weight and slant can drive attention, such as headlines, posters, product packaging, and energetic brand marks. It also works well for short UI/labeling moments that need friendliness and emphasis, though the heavy forms suggest avoiding long text blocks.
The overall tone is upbeat and approachable, with a bold, energetic slant that feels sporty and extroverted. Its rounded forms read as friendly rather than aggressive, making it suitable for cheerful, casual communication while still projecting confidence and impact.
This design appears intended to deliver maximum impact with a soft, rounded personality—combining a strong, condensed-to-sturdy presence with an italic forward motion. The consistent circular construction and simplified forms aim for immediate recognition and a contemporary-retro friendliness in branding and display typography.
Spacing appears intentionally generous and the italic rhythm is consistent across letters and figures, helping the font hold together in dense headline lines. The broad shapes and simplified detailing prioritize silhouette clarity over fine typographic nuance, especially at larger sizes.