Sans Contrasted Udzo 3 is a bold, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, branding, packaging, futuristic, editorial, art-deco, dramatic, playful, standout display, optical effect, graphic branding, modernize geometry, geometric, cutout forms, crisp edges, monoline accents, stencil-like.
A geometric, sans serif with a distinctive cutout construction: many round and semi-round counters are formed by thick outer strokes interrupted by horizontal white bands, creating “eclipsed” bowls in letters like O, C, G, a, e, and s. The design mixes heavy, blocky stems with extremely thin hairline elements (notably in A, M, V, W, X, and parts of numerals), producing a striking push–pull between solidity and delicacy. Curves are smooth and circular, terminals are clean and unbracketed, and joins are generally sharp, giving the face a crisp, engineered feel. Overall spacing reads open in the rounds but tighter where the black mass concentrates, and the set shows a deliberate, display-oriented rhythm across caps, lowercase, and figures.
Best suited to headlines, posters, branding marks, and packaging where the cutout bowls and extreme thick–thin interplay can be appreciated. It also works well for magazine covers, event graphics, and short display lines that benefit from a distinctive, graphic silhouette rather than continuous text readability.
The font conveys a modern, high-style tone with a hint of retro-futurism, like illuminated signage or fashion-forward editorial titling. The recurring “eclipse” cutouts add a playful optical effect while keeping the overall impression sleek and assertive. It feels experimental yet controlled, aiming for visual impact over neutrality.
The design appears intended as a statement display sans that reinterprets geometric forms through systematic internal cutouts and hairline contrasts. Its goal is to create an instantly recognizable texture and a contemporary, stylized voice for titles and identity work.
The most recognizable signature is the repeated horizontal slicing through bowls and counters, which creates strong internal stripes and can produce striking word-shapes in larger settings. Several glyphs use near-hairline diagonals that heighten sophistication but may become visually fragile at small sizes or in low-resolution contexts. Numerals echo the same cutout logic, helping headings and data displays maintain a cohesive graphic personality.