Print Eglog 11 is a bold, normal width, low contrast, italic, normal x-height font.
Keywords: posters, headlines, packaging, social media, event flyers, energetic, casual, playful, sporty, friendly, hand-lettered feel, expressive display, casual emphasis, quick signage, friendly branding, brushy, rounded, slanted, marker-like, textured.
A lively brush-script print with a consistent rightward slant and thick, low-contrast strokes. Letterforms are unconnected but carry a handwritten rhythm, with rounded terminals, soft corners, and subtly uneven stroke edges that suggest a marker or brush. Proportions are compact and slightly bouncy, with varied letter widths and occasional swelling on curves; counters remain open enough for clear word shapes. Numerals match the informal cadence, with simplified, drawn-in-one-go constructions and mild irregularity that reinforces the hand-made feel.
Best suited for display use such as posters, flyers, packaging callouts, and social graphics where an energetic handwritten voice is desired. It also works well for short headlines, labels, and emphasis text that benefits from a casual, hand-lettered look. For longer passages, larger sizes and extra line spacing will help preserve clarity.
The font feels upbeat and personable, like quick lettering for a note, menu special, or event sign. Its slanted, brushy energy reads confident and active, while the rounded shapes keep it approachable and warm. The overall tone is informal and spirited rather than refined or ceremonial.
The design appears intended to capture fast, expressive brush lettering in a clean, printable form—retaining natural stroke variation and slight irregularities while keeping letterforms legible and consistent across the set. It prioritizes personality and motion over precision, aiming for a friendly, attention-getting texture in display contexts.
Uppercase forms are assertive and slightly condensed, helping headings stand out, while lowercase maintains a brisk, handwritten flow without joining. Stroke texture appears most visible at curves and ends, giving solid fills a tactile, painted quality. Spacing is generally generous for a brush style, supporting readability in short-to-medium text blocks when set with comfortable leading.