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Free for Commercial Use

Sans Normal Admoj 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Mesveda' by Agny Hasya Studio, 'Dikta Neue' by Atasi Studio, 'BD Megatoya' by Balibilly Design, 'Branden' by Craft Supply Co, 'Magnum Sans' and 'Magnum Sans Pro' by FontMesa, and 'Crique Grotesk' by Stawix (names referenced only for comparison).

Keywords: ui text, branding, editorial, advertising, packaging, modern, dynamic, clean, friendly, efficient, clarity, modernity, emphasis, readability, motion, oblique, humanist, open apertures, rounded corners, slanted terminals.


Free for commercial use
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A slanted sans with smooth, rounded curves and a consistent, even stroke texture. Forms are slightly condensed and forward-leaning, with open apertures and clean joins that keep counters clear at text sizes. Terminals are mostly straight or softly rounded, and the overall construction favors simple geometry with subtle humanist modulation. Numerals follow the same oblique rhythm and feel compact and utilitarian rather than decorative.

Well suited for interface labels, product copy, and editorial subheads where a clean sans needs a sense of momentum. It also works for branding and marketing applications that benefit from an energetic, italic voice while remaining legible in paragraphs and dense text blocks.

The forward slant and crisp shapes give the face a brisk, contemporary tone, suggesting motion and efficiency. Rounded curves and generous openings soften the impression, keeping it approachable rather than stark.

The design appears intended as a practical, contemporary oblique sans that reads smoothly in running text while adding a subtle sense of speed and emphasis. Its rounded geometry and open forms suggest a focus on clarity and broad, everyday usability rather than display-only personality.

In the sample text, spacing reads even and the italic angle is consistent across capitals, lowercase, and figures, producing a cohesive diagonal flow. The design maintains clarity through large internal spaces in letters like a, e, and s, which helps prevent dark spots in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸