Sans Superellipse Gunug 2 is a bold, wide, monoline, upright, tall x-height font.
Keywords: headlines, branding, logotypes, posters, ui display, futuristic, techy, retro sci‑fi, modular, playful, sci‑fi styling, interface aesthetic, modular construction, friendly tech, rounded corners, squared curves, geometric, softened, compact joins.
A geometric display sans built from rounded-rectangle and superellipse-like forms, with consistently softened corners and smooth, uniform strokes. Letters lean on squared bowls and open counters, with frequent horizontal terminals that end in crisp, rounded caps. The design uses modular construction cues—stacked segments, inset apertures, and occasional stencil-like notches—creating a rhythmic, engineered texture. Proportions feel generous and stable, with an especially tall x-height and simplified lowercase forms that echo the uppercase structure.
Best suited for short-to-medium display settings such as headlines, posters, packaging, and identity work where its modular geometry can be a central visual feature. It also fits interface-style graphics, game/film titling, and tech-themed layouts, especially at sizes where the rounded corners and inset details remain clear.
The overall tone is futuristic and technology-forward, with a retro sci‑fi flavor reminiscent of digital interfaces and industrial labeling. Its rounded geometry keeps the mood friendly and approachable rather than harsh, while the segmented details add a sense of machinery and motion.
Likely designed to deliver a cohesive, futuristic voice through rounded-square geometry and modular, constructed letterforms. The consistent stroke and softened corners aim to balance a technical feel with approachability, prioritizing distinctive silhouette and pattern in display use.
Numerals and many letters share the same rounded-square skeleton, producing strong family coherence. The punctuation and dots appear as clean, circular elements, reinforcing the font’s “system” aesthetic. In longer lines, the repeated squared curves create a distinctive pattern that reads as intentionally stylized rather than purely utilitarian.