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Free for Commercial Use

Sans Normal Omlaf 21 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ideal Sans' by Hoefler & Co., 'Mundo Sans' by Monotype, 'Almarose' by S&C Type, 'Elpy' by Wordshape, 'Klein' by Zetafonts, and 'Arventa Sans Pro' by preussTYPE (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, kids media, playful, quirky, friendly, retro, approachability, impact, personality, retro modernity, rounded, soft, bouncy, chunky, tilted terminals.


Free for commercial use
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A heavy, rounded sans with generous curves and compact counters, giving letters a sturdy, almost cut‑out silhouette. Strokes stay largely uniform, with softly bulbous bowls and subtly irregular, angled terminals that create a hand-cut rhythm rather than a purely geometric finish. Uppercase forms are broad and stable (notably the wide O and G), while lowercase shows lively, slightly bouncy construction with single-storey a and g and a straightforward, vertical i and l. Numerals are rounded and weighty with open curves and clear, simplified shapes that match the letterforms’ soft geometry.

Best suited to display work such as posters, headlines, brand marks, packaging, and promotional graphics where a friendly, characterful voice is desired. It can also work for short subheads or callouts in editorial or web layouts, especially when paired with a simpler text face for longer reading.

The overall tone is cheerful and informal, with a slightly whimsical, retro sign-painting or poster feel. Its rounded massing and angled cuts add energy and approachability, making it feel more personable than a strictly neutral sans.

Likely designed to deliver an approachable, high-impact sans that feels modern yet playful, combining rounded geometry with subtly irregular, hand-cut details for personality and memorability.

Spacing appears comfortable at display sizes, and the distinctive angled cuts at joins and terminals add character without becoming overly decorative. The font’s weight and soft corners help maintain clarity, though tight internal counters suggest it will feel denser as sizes get smaller.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸