Print Onder 9 is a bold, narrow, medium contrast, italic, short x-height font.
Keywords: posters, packaging, logotypes, headlines, social media, friendly, casual, playful, energetic, retro, handmade feel, expressive display, friendly branding, quick brush writing, brushy, looping, rounded, bouncy, swashy.
A lively handwritten print with a brush-pen look and a pronounced forward slant. Strokes show moderate thick–thin modulation, with rounded terminals, teardrop-like joins, and occasional tapered entries and exits that suggest quick, confident writing. Letterforms are compact and slightly irregular in width, creating a bouncy rhythm; counters stay fairly open despite the heavy stroke weight. Capitals feature more flourish and curvature than the lowercase, while the numerals follow the same angled, calligraphic construction for a consistent overall texture.
Best suited to short to medium-length display settings where its bold brush texture and lively rhythm can read as expressive rather than busy—such as posters, product packaging, café menus, signage, and social media graphics. It can also work for informal branding wordmarks or callouts, especially when a friendly handmade voice is desired.
The tone feels upbeat and personable, like an enthusiastic note written with a marker or brush pen. Its looping forms and soft terminals add warmth, while the brisk slant and punchy weight give it an energetic, attention-getting presence. The overall impression leans toward playful and slightly nostalgic, suitable for informal, human-centered messaging.
The design appears intended to mimic quick brush handwriting in a clean, printable form—retaining natural variation and flourish while staying legible across a full alphabet and numerals. It aims to deliver a warm, informal personality with enough weight and contrast to stand out in display applications.
Stroke endings often curl or flick, especially on letters with descenders and diagonals, which adds motion and a hand-drawn signature quality. Spacing appears intentionally loose enough to keep the heavy strokes from clogging, but the irregularity in character widths contributes to an organic, non-mechanical color in text.