Sans Superellipse Waku 2 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, logos, packaging, futuristic, tech, industrial, game ui, space-age, impact, futurism, modularity, industrial tone, interface feel, rounded corners, squared bowls, soft terminals, high contrast apertures, compact counters.
A chunky display sans built from rounded-rectangle geometry, with broadly squared curves and consistently softened corners. Strokes are uniform and heavy, producing compact counters and sturdy negative space, while many joins and terminals resolve into short, flat cuts rather than tapered endings. Round letters (O, Q, C, G) read as superelliptical frames, and straight-sided characters (E, F, L, T) emphasize a rectilinear rhythm. The numerals follow the same boxy logic with generous rounding and strong horizontals, creating a cohesive, engineered texture in text.
Best suited to display settings where impact and a tech-industrial voice are desired—headlines, posters, product branding, and logo wordmarks. It also fits UI-style graphics, esports or game titling, and sci‑fi themed packaging where geometric consistency is a priority over long-form readability.
The overall tone is futuristic and utilitarian, evoking interfaces, machinery labeling, and sci‑fi branding. Its wide, squared curves feel confident and robust, with a sleek “module” aesthetic that reads as contemporary and tech-forward rather than humanist or editorial.
The font appears designed to translate superelliptical, rounded-rectangle construction into a practical alphabet that feels engineered and modern. The intention seems to be delivering a strong, modular silhouette for attention-grabbing display typography while maintaining consistent, system-like shapes across letters and numbers.
The design favors closed, compact apertures and firm horizontal bars, which gives it a dense, logo-like presence at larger sizes. In continuous text, the pronounced boxy curves and heavy weight create a strong, uniform color that can feel intentionally mechanical and headline-driven.