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Free for Commercial Use

Sans Normal Odgok 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Aspira' by Durotype, 'Avenir Next Paneuropean' by Linotype, 'TT Commons™️ Pro' by TypeType, and 'Grold' and 'Grold Rounded' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, approachable, modern, impact, approachability, clarity, display use, rounded, chunky, soft corners, compact, high contrast counters.


Free for commercial use
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This typeface is a heavy, rounded sans with smooth, continuous curves and broadly squared terminals. Uppercase forms are compact and sturdy, with generous stroke mass and tight internal counters that create strong silhouettes. The lowercase is similarly weighty, with single-storey a and g, a rounded, earless e, and simplified joins that keep shapes clean and solid. Figures are bold and geometric, with circular forms on 0/8/9 and strong, blocky construction on 1/4/7, producing a consistent, punchy rhythm in text.

It excels in headlines and short copy where strong, bold shapes are needed quickly, such as posters, storefront or wayfinding signage, packaging, and brand marks that want a friendly but assertive voice. The design’s compact counters and dense texture make it particularly effective for large-scale display and graphic applications.

The overall tone is upbeat and approachable, pairing a friendly roundness with a confident, emphatic presence. Its dense color and soft geometry give it a contemporary, slightly playful feel while remaining straightforward and legible at display sizes.

The design appears intended to deliver a modern, approachable display sans that prioritizes impact and clarity through rounded geometry and simplified letterforms. Its consistent, heavy color suggests a focus on attention-grabbing titles and branding rather than delicate, text-heavy settings.

Curves stay smooth and controlled across rounds (C, G, O, Q), while corners are subtly softened rather than sharp. The heavy weight reduces aperture openness in letters like S and e, making the design read best when given ample size and spacing.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸