Script Tynil 12 is a light, narrow, high contrast, italic, short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, romantic, formal, vintage, refined, calligraphic elegance, formal voice, decorative capitals, stationery look, calligraphic, flourished, swashy, looping, ornate.
A delicate calligraphic script with a strongly slanted axis, hairline entry and exit strokes, and crisp thick–thin modulation. Letterforms are built from smooth, continuous curves with frequent loops and generous terminals, producing a flowing rhythm that stays consistent across the alphabet. Uppercase characters are more decorative and expansive, with prominent swashes and curled forms, while lowercase is more compact and streamlined, keeping a steady baseline and tidy joins in running text. Figures follow the same calligraphic logic, with angled stress and tapered ends that match the overall stroke behavior.
Well suited to wedding suites, formal invitations, and event collateral where an elegant script voice is desired. It also works effectively for boutique branding, product packaging, and short headlines or pull quotes—especially when you can let capitals and title-case words take center stage. For best results, give it comfortable letterspacing and avoid overly small sizes in dense body copy where hairlines and flourishes can visually merge.
The overall tone is polished and ceremonial, evoking invitations, stationery, and classic handwritten correspondence. Its graceful curves and formal flourish read as romantic and traditional rather than casual or playful, with enough ornament to feel special without becoming chaotic in longer lines.
This design appears intended to emulate refined pen-calligraphy with a consistent slanted rhythm and decorative uppercase forms, balancing readability in phrases with expressive flourishes for names and display settings.
Capitals carry much of the personality: they feature larger loops and more pronounced entry/exit flourishes that can create strong word-shape signatures at the start of lines or names. Spacing appears designed for continuous reading in phrases, but the prominent swashes in certain capitals can increase visual density when many initials cluster together.