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Sans Normal Ohlar 4 is a bold, normal width, monoline, upright, short x-height font visually similar to 'Halis Grotesque' and 'Halis Rounded' by Ahmet Altun, 'Benn Beckman' by Factory738, 'Carino Sans' by Kaligra.co, and 'Glorich' by Sarid Ezra (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, children’s, playful, friendly, retro, quirky, chunky, brandable, display impact, friendly tone, retro flavor, distinctive details, rounded, geometric, soft, high-contrast counters, compact.


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This typeface is a heavy, rounded sans with smooth, geometric construction and largely uniform stroke thickness. Curves are broad and circular, terminals are clean and blunt, and corners are softened rather than sharp. Counters tend to be tight and often circular, giving letters a compact, punchy silhouette; several forms show small triangular or wedge-like notches where strokes meet or where diagonals cut in, adding a distinctive cut-out detail. Uppercase letters read solid and poster-like, while the lowercase uses simple, single-storey forms with short extenders and a compact rhythm; the numeral set matches with rounded bowls and sturdy, blocky proportions.

It works best for display typography such as headlines, posters, branding marks, and packaging where its rounded geometry and bold presence can be appreciated. It can also suit children’s or playful lifestyle contexts, short slogans, and social graphics where a friendly, punchy voice is desired.

The overall tone is cheerful and attention-grabbing, with a slightly retro, toy-like friendliness. The circular counters and stout proportions create a sense of warmth and approachability, while the occasional wedge cut-ins add a quirky, characterful edge that keeps the design from feeling generic.

The design appears intended to deliver a bold, rounded, geometric voice with a memorable set of cut-in details, prioritizing personality and impact over minimalism. Its compact counters and sturdy silhouettes suggest a focus on clear, high-energy display use in branding and titling.

The face maintains a consistent visual color across words, with strong shapes that hold up well at larger sizes. The tight counters and compact interiors can make small sizes feel dense, but they also contribute to a distinctive, logo-ready texture in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸