Sans Superellipse Otmuw 15 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Antagometrica BT' by Bitstream, 'European Soft Pro' by Bülent Yüksel, 'Cleor' by Designova, 'Fruitos' by Fenotype, 'Panton' by Fontfabric, and 'Core Gothic D' by S-Core (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, packaging, modern, friendly, clean, techy, confident, approachability, modernization, clarity, distinct identity, systematic geometry, rounded, geometric, soft corners, compact, high contrast spaces.
A heavy, geometric sans with rounded-rectangle (superellipse) construction throughout. Strokes are consistently thick with minimal modulation, and corners are smoothly radiused rather than sharp, creating a soft, engineered silhouette. Counters tend to be open and generously sized for the weight, while curves and straight segments meet with clean, squared-off logic. The lowercase shows a single-storey a and g, a compact e with a broad aperture, and a y with a distinct curved descender; numerals are sturdy and simplified with clear, wide forms.
Well suited for headlines and branding where a bold, friendly geometric voice is needed, and for short UI labels or signage where sturdy shapes and open counters aid quick recognition. It can also work effectively on packaging and promotional graphics that benefit from a contemporary, rounded look.
The overall tone is modern and approachable, balancing a friendly softness from the rounding with a confident, no-nonsense weight. It reads as contemporary and slightly tech-forward, with a calm, systematic rhythm that feels designed rather than hand-made.
The typeface appears intended to deliver a modern geometric sans with softened edges—combining strong presence with an approachable character. Its superellipse-driven construction suggests an emphasis on consistency, clarity, and a distinctive, system-like identity for contemporary design contexts.
The design favors squarish rounds (not circular bowls), giving letters like O, Q, and D a distinctive rounded-rectangle feel. Diagonals in letters like K, V, W, X, and Z are broad and stable, supporting strong display impact. Spacing in text appears even and compact, helping the font hold together in large headlines.