Slab Normal Opre 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Klik' by Fenotype, 'Muller Next' by Fontfabric, 'Neusa Neu' by Inhouse Type, 'Radio Station JNL' by Jeff Levine, 'Antry Sans' by Mans Greback, 'DIN Next' and 'DIN Next Paneuropean' by Monotype, 'Fenomen Slab' by Signature Type Foundry, and 'Palo Slab' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, retro, rugged, sporty, confident, punchy, impact, display clarity, retro appeal, durability, slab serif, oblique, chunky, bracketed, compact.
A compact, heavy slab-serif with an oblique stance and dense, blocky silhouettes. Strokes stay largely uniform with minimal modulation, while the serifs read as thick slabs with subtly rounded joins that soften the corners. Counters are relatively tight and apertures are small, producing a sturdy, ink-trap-free presence that holds together as solid shapes. The rhythm is energetic and slightly compressed, with sturdy verticals and robust curves that keep letters readable at display sizes.
Best suited to display typography where impact matters: headlines, posters, signage, and bold brand marks. It also works well for packaging and labels that need a sturdy, vintage-leaning slab serif presence. For longer text, it will typically perform better in short bursts—subheads, callouts, and emphasis—where its weight and tight counters don’t overwhelm.
The overall tone feels retro and workmanlike, with a sporty, poster-ready punch. Its bold, forward-leaning stance adds urgency and momentum, while the chunky slabs suggest durability and a no-nonsense attitude. The result is confident and attention-grabbing without becoming ornamental.
This design appears intended as a strong, practical slab serif for high-impact communication, combining compact proportions with an oblique, energetic stance. The goal seems to be dependable readability at large sizes while delivering a retro, industrial flavor suitable for branding and promotional typography.
Numerals and capitals are especially weighty and graphic, creating strong word shapes in short headlines. The oblique angle is consistent across the set, and the rounded terminals and serif junctions help prevent the forms from looking overly sharp or brittle.