Sans Other Rybob 2 is a very bold, very narrow, high contrast, upright, normal x-height font.
Keywords: posters, headlines, signage, logotypes, packaging, industrial, authoritative, retro, condensed, edgy, impact, compression, display, branding, rectilinear, angular, monolinear feel, chamfered, geometric.
A rectilinear, tightly condensed sans with tall proportions and a strong vertical emphasis. Letterforms are built from straight strokes and squared curves, often with small chamfer-like cuts and narrow internal counters that create a crisp, mechanical rhythm. Curved characters (such as C, D, O) are rendered as squared rounds, while diagonals (V, W, X, Y) appear sharply cut and compact. The overall texture is dark and assertive, with short crossbars and compact apertures that keep the silhouette rigid and architectural.
Best used for headlines, posters, title cards, and bold branding where a condensed footprint and strong graphic impact are desirable. It can also work for signage-style applications and packaging callouts that benefit from a rigid, industrial voice. For long text or small UI sizes, its dense forms and tight apertures are likely to feel heavy, so it’s better reserved for short, prominent lines.
The tone feels industrial and commanding, with a retro-tech flavor that recalls signage, machinery labeling, and dramatic display typography. Its compressed stance and hard corners give it an intense, slightly dystopian energy, suited to bold statements rather than quiet reading.
The design appears intended to maximize impact in a narrow measure by combining towering capitals, squared construction, and compact counters into a rigid, display-first system. Its geometry prioritizes striking silhouettes and a consistent, machine-like rhythm over softness or readability at small sizes.
Spacing appears deliberately tight, and the narrow counters and squared terminals make small sizes prone to filling in, while larger sizes emphasize its distinctive stencil-like geometry and strict vertical cadence. Numerals follow the same tall, angular construction for a consistent headline system.