Sans Normal Vibel 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Ricardo' by Bureau Roffa, 'Sans Atwic Modern' by Caron twice, 'Neptune' by Indian Type Foundry, and 'Bajazzo' and 'Bajazzo Rounded' by Schriftlabor (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, friendly, dynamic, contemporary, approachable, emphasis, impact, motion, modernity, approachability, oblique, rounded, soft corners, compact, lively.
A heavy, oblique sans with rounded terminals and smooth, continuous curves. Strokes are sturdy and largely uniform, with gentle tapering at joins and a slightly compressed, forward-leaning stance that adds momentum. Counters are fairly open for the weight, and curves (notably in C, G, O, and S) stay clean and circular, while diagonals in forms like K, V, W, X, and Y keep a crisp, energetic rhythm. Lowercase shows a single-storey a and g with simple, rounded construction and minimal detailing, supporting a straightforward, modern texture in text.
Works best for short to medium-length display settings where an energetic, modern tone is desired—headlines, posters, brand marks, event promotion, and packaging. It can also suit sports and lifestyle applications where a strong, friendly oblique voice helps convey motion and confidence.
The overall tone is energetic and upbeat, with a sporty, forward-moving character. Rounded endings soften the impact of the heavy strokes, making it feel friendly and accessible rather than aggressive. The consistent slant and compact shapes give it a contemporary, action-oriented voice suitable for attention-grabbing headlines.
Likely designed as a robust italic companion or stand-alone display sans that emphasizes momentum and approachability. The rounded terminals and simplified lowercase aim for clear, contemporary forms, while the strong weight and oblique angle prioritize impact and immediacy in branding and promotional typography.
Numerals are wide and sturdy with clear silhouettes (notably the rounded 8 and 9), and the punctuation/apostrophe style in the sample reads as simple and pragmatic. At larger sizes the slant and weight create strong presence; in dense lines the bold texture becomes a dominant visual element.