Print Omlup 4 is a bold, normal width, high contrast, italic, normal x-height font.
Keywords: logos, headlines, packaging, posters, quotes, retro, friendly, lively, confident, playful, hand-lettered feel, display impact, retro branding, expressive emphasis, brushed, calligraphic, slanted, rounded, looped.
A bold, right-slanted script with a brushed, calligraphic construction and pronounced thick–thin modulation. Strokes are smooth and continuous with rounded terminals and occasional teardrop-like endings, creating a buoyant rhythm across words. Letterforms are moderately condensed with generous curves and frequent loops in the lowercase, while capitals are larger, flowing, and slightly embellished. Counters remain open enough for display sizes, and overall spacing feels airy rather than tightly connected, helping words read as a cohesive, energetic line.
Best suited to logos, product names, posters, and short headline or quote treatments where the sweeping italic motion and high-contrast strokes can be appreciated. It also works well for packaging and branding that wants a retro, hand-painted flavor. For longer passages, it’s likely most effective in short bursts at comfortable sizes rather than continuous body text.
The font projects a warm, nostalgic tone—like mid-century signage or casual advertising copy—balancing charm with a confident, forward-leaning momentum. Its sweeping curves and strong contrast make it feel expressive and upbeat, with a friendly informality that keeps it approachable rather than formal.
The design appears intended to mimic confident hand-lettering with a brush or broad nib, delivering a polished “written” look that remains consistent and repeatable. Its emphasis on contrast, slant, and rounded cursive forms suggests a focus on attention-grabbing display typography with a personable, vintage-leaning character.
Uppercase forms read as headline-friendly with broad, rounded silhouettes, while the lowercase provides the most personality through looped ascenders/descenders and a lively baseline flow. Numerals follow the same brush logic, with curled shapes and noticeable contrast, making them suited to short, prominent uses rather than dense tabular settings.