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Solid Nebu 8 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Fattty' by Drawwwn, 'Knicknack' by Great Scott, 'Mr Dum Dum' by Hipopotam Studio, 'Big Black' by T-26, 'Matryoshka' by Volcano Type, and 'Primal' by Zeptonn (names referenced only for comparison).

Keywords: posters, headlines, logos, stickers, packaging, playful, puffy, cartoony, chunky, friendly, maximum impact, playful branding, cartoon display, softening tone, silhouette focus, rounded, blobby, soft, bouncy, bubblelike.


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A heavily rounded display face with swollen, blobby strokes and fully softened terminals. Counters are largely collapsed, so letters read as solid silhouettes with only occasional small pinches or notches hinting at internal structure. The rhythm is compact and dense, with irregular, hand-formed contours and a slightly wobbly baseline feel in running text. Joins and corners are bulbous and overbuilt, giving each glyph a gummy, inflated presence and making spacing appear tight at text sizes.

Best suited for short, high-impact display settings such as posters, headline treatments, logo wordmarks, labels, and playful packaging. It can also work for titles in children’s content, games, and social graphics where bold silhouette readability and a soft, cartoon voice are desired.

The overall tone is playful and comedic, with a toy-like, cartoon heft that feels upbeat and informal. Its solid, puffy shapes suggest fun, snacks-and-stickers energy rather than seriousness, leaning toward youthful, lighthearted branding.

The design appears intended to maximize visual weight and charm through rounded, inflated geometry and near-solid construction, prioritizing a strong silhouette and a playful personality over fine detail or text readability. It aims to feel approachable and humorous, with a deliberately irregular, hand-sculpted look.

Because interior openings are minimized, character recognition relies on exterior silhouettes and distinctive protrusions; this makes the font most effective at larger sizes where those silhouettes are clear. The figures match the same inflated logic, with rounded forms that emphasize mass over interior differentiation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸