Sans Superellipse Nyse 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Kotka Sans' by Letterhend, 'Amsi Grotesk' by Stawix, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, stickers, playful, friendly, chunky, retro, bubbly, display impact, friendly tone, retro charm, robust legibility, rounded, soft-cornered, stubby, compact, ink-trap-like.
A heavy, rounded sans with superellipse geometry and softly squared curves. Strokes are thick and even, with minimal contrast and generally blunt terminals. Counters are compact and often rectangular-rounded, creating a slightly “squeezed” internal space that boosts boldness and impact. The lowercase shows a tall x-height with short ascenders/descenders, producing a dense, blocky rhythm; several joins and corners show small notches or ink-trap-like cut-ins that keep shapes from clogging at this weight.
Well suited for headlines, posters, and bold branding where a friendly, high-impact voice is needed. It works especially well on packaging, labels, and social graphics, and can add character to short UI headings or callouts. For longer text, it will be most comfortable at larger sizes with generous spacing.
The overall tone is approachable and humorous, with a toy-like softness and a confident, poster-ready presence. Its chunky silhouettes and rounded rectangles evoke a retro display feel while staying clean and contemporary. The result reads as warm and informal rather than technical or austere.
Likely designed as a characterful display sans that maximizes softness and solidity through rounded-rectangle construction and compact counters. The small corner cut-ins suggest an intention to preserve legibility and texture at heavy weights while keeping the overall look playful and cohesive.
Round letters like O and Q are more squarish than circular, and the numerals follow the same soft-rectangular logic for a cohesive set. The design favors big shapes and tight counters, so it visually holds together best when given some breathing room in spacing and line height.