Sans Superellipse Nudiw 8 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Neusa Neu' by Inhouse Type, 'Glimp' and 'Glimp Rounded' by OneSevenPointFive, 'Core Sans E' and 'Core Sans ES' by S-Core, 'Bockhold' by Stereo Type Haus, and 'Coben' by cretype (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, friendly, dynamic, modern, compact, impact, approachability, speed, modernity, simplicity, rounded, oblique, soft corners, sturdy, geometric.
A rounded, oblique sans with heavy, even strokes and softly squared curves that give many letters a superellipse feel. Terminals are blunted and smooth, with generous rounding throughout and minimal modulation, creating a solid, compact texture in text. Counters are relatively closed in letters like a, e, and g, and the overall rhythm leans forward with consistent rightward slant. Capitals are wide and stable with simplified geometry, while lowercase forms stay sturdy and highly uniform, emphasizing legibility at display sizes.
This font is well suited to headlines, logos, and short blocks of promotional copy where a bold, energetic voice is needed. It fits contemporary branding, sports and lifestyle graphics, packaging callouts, and poster titling, and can also work for UI labels when set at larger sizes due to its dense stroke and tight counters.
The forward slant and rounded geometry produce an energetic, approachable tone—confident and sporty rather than formal. Its soft corners keep the voice friendly, while the dense strokes add punch and immediacy for attention-grabbing messaging.
The letterforms appear designed to combine impact with approachability: a forward-leaning, rounded-geometric construction that reads quickly and feels modern. The consistent stroke weight and softened corners suggest an intention to deliver strong emphasis without sharpness or severity.
The design’s rounded-rectangle construction is especially apparent in C, G, O, and Q, which read as softly squared ovals rather than circles. Numerals follow the same compact, rounded logic, with thick curves and minimal interior space, reinforcing a strong headline presence.