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Free for Commercial Use

Solid Gala 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Deep Rising' by BA Graphics, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, sports branding, industrial, urban, aggressive, playful, impact, ruggedness, graphic texture, attention grab, blocky, chunky, compact, squared, rounded corners.


Free for commercial use
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A heavy, condensed display face built from chunky, mostly rectilinear forms with softened corners and frequent cut-in notches. Many letters appear intentionally “carved” with small triangular bites and stepped terminals, creating a stencil-like rhythm even though the glyphs remain solid and tightly filled. Curves are simplified into rounded-rectangle shapes (notably in C, G, O, and 0), while diagonals (V, W, X, Y, Z) are thick and compact, keeping counters minimal or collapsed. Spacing and widths vary by letter, but the overall texture stays dense and block-forward, prioritizing silhouette over interior detail.

Best suited to short, high-impact settings such as posters, headlines, event graphics, product packaging, and logo wordmarks where dense, blocky silhouettes read quickly. It can also work for sports and gaming-adjacent branding, particularly when a tough, urban display tone is desired.

The tone reads bold and streetwise, with a rugged, machined personality that can feel both industrial and arcade-like. The irregular cutouts add a mischievous, action-oriented energy, giving the face a poster-ready punch and a slightly gritty, hand-tooled character.

The design appears aimed at delivering maximum visual weight and recognizability through compact, solid letterforms, using deliberate notches and simplified geometry to create a distinctive, rugged texture. Its construction favors bold silhouette and graphic presence over continuous reading comfort.

Legibility relies heavily on the outer shapes since internal openings are reduced; letters like E/F and some lowercase forms can feel similar at smaller sizes. The distinctive notches and squared shoulders become a strong identifying motif in headlines, where the sculpted negative cuts are most visible.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸