Sans Superellipse Esrip 8 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Hudson NY Pro' by Arkitype, 'Gridink' by Ckhans Fonts, 'Geogrotesque' and 'Geogrotesque Sharp' by Emtype Foundry, and 'Manual' by TypeUnion (names referenced only for comparison).
Keywords: sports branding, team apparel, racing graphics, gaming ui, tech promos, sporty, tech, futuristic, dynamic, industrial, convey speed, modernize shapes, maximize impact, systematize geometry, rounded corners, squared rounds, oblique slant, tight apertures, compact bowls.
A slanted sans with a squared, superelliptical construction: curves resolve into rounded-rectangle corners and flat-ish arcs rather than fully circular bowls. Strokes are even and sturdy, with compact counters and relatively tight apertures that keep forms dense and controlled. Terminals are clean and blunt, and many joins feel engineered, with consistent corner radii across letters and numerals. Overall rhythm is forward-leaning and streamlined, balancing condensed-feeling shapes with clear, blocky silhouettes.
Best suited to branding and display where a fast, engineered voice is helpful—sports identities, racing or performance-themed graphics, game titles and UI accents, and modern tech promotions. It will also work for short blocks of copy, but its tight apertures and squared bowls suggest prioritizing impact and clarity at medium-to-large sizes.
The tone is fast, modern, and slightly aggressive, with a motorsport/athletic energy. Its rounded-rect geometry and italic angle give it a tech-forward, utilitarian feel that reads as designed for motion and instrumentation rather than elegance.
The design appears intended to merge an oblique, speed-associated stance with a rounded-rectangle geometry for a contemporary, industrial look. Consistent corner rounding and compact internal spaces suggest a focus on cohesive signage-like shapes that stay punchy and controlled under bold, high-contrast applications.
Uppercase forms lean toward wide-shouldered, squared bowls (notably in rounded letters), while diagonals are prominent and crisp, reinforcing the sense of speed. Numerals follow the same rounded-rectangle logic, maintaining a consistent, display-oriented presence in both text and headline settings.