Sans Other Ibga 12 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Aguda' and 'Aguda Stencil' by Graviton and 'Phatthana' by Jipatype (names referenced only for comparison).
Keywords: headlines, posters, branding, gaming ui, tech packaging, futuristic, industrial, techy, robotic, modular, distinctive display, tech aesthetic, stencil styling, modular construction, stencil cuts, rounded corners, geometric, squared, monoline.
A geometric sans with squared proportions, softened by rounded outer corners and consistent heavy strokes. Many forms are constructed from straight segments and near-rectangular bowls, with deliberate stencil-like breaks and inset notches that open counters and terminals. Curves are restrained and often squared off, creating a modular rhythm; diagonals appear in letters like A, K, V, W, X, Y, and Z with clean, engineered joins. The lowercase follows the same constructed logic with a tall x-height presence and compact apertures, while numerals echo the cut-out motif (notably 0, 2, 3, 5, and 8) for a cohesive set.
Best suited for headlines, logos, and short blocks of text where the stencil cuts and geometric construction can be appreciated. It works well for tech branding, gaming or sci‑fi UI, event posters, packaging, and product naming where a rugged, engineered voice is desirable.
The overall tone feels technical and machine-made, evoking interfaces, industrial labeling, and sci‑fi display typography. The repeated cutouts and squared curves give it a robotic, utilitarian attitude that reads as modern and slightly aggressive without becoming decorative.
The design appears intended to modernize a straightforward sans framework with a modular, stencil-inspired construction, prioritizing a strong visual signature and an industrial/tech impression over neutral text performance.
The distinctive internal breaks can reduce clarity at small sizes, but they add strong identity at display scales. The shapes maintain a consistent system of notches and corner radii across caps, lowercase, and figures, which helps the font feel unified even in long sample text.