Sans Superellipse Lija 3 is a bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, gaming ui, tech branding, futuristic, tech, modular, retro, space-age, geometric system, sci-fi display, digital signage, modular styling, rounded corners, rectilinear, boxy, stencil-like, geometric.
A geometric sans built from rounded-rectangle and superellipse-like forms, with uniform stroke thickness and squared counters softened by generous corner radii. The construction is strongly rectilinear, favoring flat terminals, right angles, and compact, boxy curves that keep bowls and apertures mostly squared. Several letters use intentional breaks and notched joins (notably in shapes like E, S, and some diagonals), creating a modular, slightly stencil-like rhythm. Proportions are broadly extended, and the overall texture is dense and steady with minimal contrast and a consistent, engineered feel.
Best suited to display typography where its squared curves and modular details can be appreciated: headlines, posters, cover art, esports and gaming interfaces, tech/event branding, and product or device labeling. It can also work for short UI labels and titles where a futuristic, engineered look is desired.
The font communicates a futuristic, digital tone with a retro sci‑fi edge. Its rounded-square geometry and modular breaks evoke interface labeling, industrial signage, and late-20th-century techno aesthetics, reading as precise, synthetic, and deliberately constructed rather than handwritten or organic.
The design appears intended to translate rounded-rectangular geometry into a cohesive alphabet with a modular, constructed logic. By combining softened corners with selective breaks and simplified diagonals, it aims to feel both friendly and machine-made, delivering a distinctive techno voice for modern display settings.
Distinctive square counters and softened corners help maintain legibility at display sizes, while the deliberate interruptions in some strokes add personality but can reduce clarity at very small sizes. Numerals and uppercase share the same squared, rounded system, producing a cohesive, hardware-like voice across alphanumerics.