Sans Other Yedy 9 is a bold, normal width, very high contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, game ui, packaging, techno, industrial, retro, futuristic, mechanical, display impact, tech aesthetic, industrial tone, stylized legibility, modular geometry, octagonal, angular, chiseled, stencil-like, squared.
A sharply angular display sans built from squared, octagonal forms and straight strokes, with frequent notches and clipped corners that create a chiseled, modular feel. Counters are tight and often rectangular, with some glyphs showing cut-in terminals and internal breaks that read as stencil-like detailing. The design leans on strong verticals and rigid geometry, while diagonals are used sparingly and rendered as crisp facets, producing a segmented rhythm across words. Spacing appears compact and the overall texture is dense, with distinctive, high-impact silhouettes in both uppercase and lowercase.
Best suited to short, prominent settings such as posters, headlines, logos, game/UI titles, and product or album packaging where the angular detailing can be appreciated. It can also work for labels and wayfinding-style graphics when used at generous sizes and with comfortable tracking to prevent the internal cuts from crowding.
The font conveys a hard-edged, mechanical tone that feels at home in sci‑fi interfaces, industrial labeling, and retro-digital aesthetics. Its faceted construction suggests precision and machinery, giving text a deliberate, engineered presence rather than a casual or humanist voice.
The design appears intended to deliver a distinctive, technical display voice by combining rigid geometric construction with cut-in details that evoke stenciling or machined engraving. The goal seems to be strong character recognition and a stylized, futuristic texture rather than neutral text readability.
Several characters incorporate deliberate incisions and stepped joins that enhance differentiation at display sizes, but also increase visual noise in longer passages. Numerals follow the same geometric logic, with squared bowls and angular joints that keep the set consistent and signage-like.